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The
Face, The Pace, and the Airspace of 1977 Bowie and Eno inspired each other and their work together has gone on to
inspire others. Bowie and Eno similar in some ways but then very different.
They are deserving of points away from home. Together working on the Low (1977),
Heroes (1977), and then later, Lodger (1978) albums, they were impressive.
Some say it was the pinacle of Bowie's career. That may be so, but I beg to
differ. Then, there was Robert Fripp and, of course, the rest of the band which
included Carlos Alomar amongst other well-known musicians that appeared on these albums
and albums up to present day. |

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Before
and After Science is really a study of "studio composition" whereby recordings
are created by deconstruction and elimination: tracks are recorded and assembled in
layers, then selectively subtracted one after another, resulting in a composition and
sound quite unlike that at the beginning of the process. Despite the album's pop format,
the sound is unique and strays far from the mainstream. Eno also experiments with his
lyrics, choosing a sound-over-sense approach. When mixed with the music, these lyrics
create a new sense or meaning, or the feeling of meaning, a concept inspired by abstract
sound poet Kurt Schwitters (epitomized on the track "Kurt's Rejoinder," on which
you actually hear samples from Schwitters' "Ursonate").
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